A protoge of John Blake, Carter's style is grounded in traditional jazz of a fairly accessible variety. But she pulls in more hip-hop and R&B influences, and even some fairly undiluted African rhythms. Unlike the only other hip-hop/R&B violinist I know of, Jerald Daemyon, Carter doesn't dilute her style for the sake of production and accessibility. Don't get me wrong, she's very easy to listen to. But she's more aggressive and interesting than Daemyon, who takes the more digestible produced approach.
And Carter's edge is even more dramatically displayed in some of her work with other people. I've heard that she plays with several groups, but in particular I've found an album by Elliot Sharp called Xenocodex where she plays as part of the "Solider String Quartet." Released on the Tzadik label, Xenocodex is in an avant-garde realm similar to that of Eyvind Kang and the Kronos Quartet. Definitely challenging.
Here are a couple clips from her self-titled album:
I Wanna Talk to You (.AIFF format, 495K, 34 second clip)
Sticks & Stones (Sticks) (.AIFF format, 314K, 25 second clip)
All songs copyright © Regina Carter
Web/Email:
http://www.adone.com/ttj/news/010496/ent8.htm
http://www.green-street.com/hotterthanjuly/carter.html
http://www.iuma.com/gavin/issues/iss19950602/reviews.html
http://www.wqcd.com/archive.html
Email:
Discography
RHYTHMS OF THE HEART (1999)
SOMETHING FOR GRACE (1997)
REGINA CARTER (1995)
   With Elliot Sharp/the Soldier String Quartet:
XENOCODEX (1996)
   Performances:
LOTUS FLOWER (1999) - Steve Turre
LOOPIN' THE COOL (1996) - Mark Helias
IT'S ALL GOOD (1995) - Antonio Hart
FAITH EVANS (1995) - Faith Evans
I'M GLAD THERE IS YOU-A TRIBUTE TO CARMEN MCRAE (1994) - Vanessa Rubin
FUN (1994) - Daniel Johnston
MY LIFE (1994) - Mary J. Blige
BODY AND SOUL (1993) - Straight Ahead
INTERMOBILITY (1993) - String Trio Of New York
AN OUTSIDE JOB (1993) - String Trio Of New York
LOOK STRAIGHT AHEAD (1992) - Straight Ahead
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